Tag Archives: creativity

Inspiring creativity – celebrating Dot Day – Readilearn

inspiring creativity - dot day

Next Friday 15 September is International Dot Day, a day for celebrating and promoting creativity, courage and collaboration.

Celebration of the day was initiated in 2009 with teacher Terry Shay introducing his class to the picture book The Dot by Peter H. Reynolds.

The story is of Vashti and a teacher who encouraged her to make a mark and have a go. Lacking self-belief and courage, Vashti was reluctant to participate in art class. When the teacher framed and hung her signed painting of a tiny dot, Vashti was determined to do better. She painted all kinds of dots that wowed the people at the school art fair. What happened when one little boy admitted to Vashti that he wished he could draw will inspire children everywhere to be brave, have a go, and be creative.

For a wealth of celebratory suggestions, visit the International Dot Day Get Started page and sign up to download a free Educator’s Handbook, which includes a lovely certificate of participation which can be printed and personalised for each child.

I have included a link to the page in the new resource Getting creative with dots in which I suggest additional ideas to add to the celebration.

getting creative with dots

The suggestions, of which examples are shown below, can be used in conjunction with International Dot Day, or any day when you feel like going a little dotty.

Continue reading: Inspiring creativity – celebrating Dot Day – Readilearn

Away with the fairies

© 2014 Shelly ʕ•ᴥ•ʔ https://www.sketchport.com/drawing/6517152420986880/fairies. Licensed under CC-BY.

Are you a daydreamer? Were you accused of daydreaming at school? Many of us were. With minds that are easily distracted and work that is less than exciting, it is easy for thoughts to drift away into other realms. It can take anything, or nothing, and it is often difficult to back-track from where we find ourselves, along the path of thoughts to what initiated the journey. It can be no more tangible that the dream that escapes upon waking.

While daydreaming can be pleasant and good for relaxation and creativity, it is often frowned upon in students meant to be concentrating on what they are to learn. Children would probably find it easier to attend if the work was tailored to their needs, initiated by their interests, and involved them as participants rather than recipients. The fifteen minutes of play per hour that Finnish children enjoy would also help, I’m sure, in giving time for minds to be, not corralled into predetermined channels.

In this Conversation on Daydreaming with Jerome L. Singer in Scientific American by Scott Barry Kaufman on 10 December, 2013, Singer says, I think that teachers need to recognize that often, the daydreaming is because some of the kids are bored”.

Whether through boredom or not, daydreaming can sometimes lead to breakthroughs in solving problems, creativity and productivity as described in this CNN article by Brigid Schulte For a more productive life, daydream. Brigid lists a number of daydreamers; including:

  • J K Rowling
  • Mark Twain
  • Richard Feynman
  • Archimedes
  • Newton

Other famous daydreamers include:

  • Einstein
  • Edison
  • J. R. R. Tolkien
  • Boy George
  • Richard Branson

Here are a few other quotes about the importance of daydreaming:

Keith Richards is reported as saying that “Satisfaction”, the Rolling Stones’ most famous hit, came to him in a dream, and

Paul McCartney says the same thing about the Beatles’ hit “Yesterday”.

Neil Gaiman: “You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we’re doing it.”

George Lucas: “I’m not much of a math and science guy. I spent most of my time in school daydreaming and managed to turn it into a living.”

Professor Elizabeth Blackburn, the first Australian-born female Nobel Laureate, attributes her success as a molecular biologist, in part, to daydreaming.  She is reported by the Sydney Morning Herald to have said, ‘I think you need time to daydream, to let your imagination take you where it can … because I’ve noticed [that] among the creative, successful scientists who’ve really advanced things, that was a part of their life.’

While speaking to students at Questacon in Canberra after receiving her prize, she joked, ”Your parents and your teachers are going to kill me if they hear you say, ‘she told us just to daydream.’

So why is it, if the importance of daydreaming is recognised by successful creatives, thinkers, scientists, and business people, that it is still frowned upon in school? Why do we still insist that children sit at desks, repeating mundane tasks in order to pass tests that have little bearing on their future success or on the future of our species and the planet?

In a previous post I wrote about John Dewey’s dreamof the teacher as a guide helping children formulate questions and devise solutions. Dewey saw the pupil’s own experience, not information imparted by the teacher, as the critical path to understanding. Dewey also contended that democracy must be the main value in each school just as it is in any free society.” According to Pasi Sahlberg in Finnish Lessons, What can the world learn from educational change in Finland? schools in Finland have dreamed their own dream by building upon Dewey’s.

Of course, on a much smaller scale, I have my own dream of a better way of educating our children.

This week at the Carrot Ranch, Charli Mills dreamed a dream and challenged writers to In 99 words (no more, no less) write a story that involves a dream. This action could have happened while awake, such as daydreaming, or make up a dream when asleep. Go where the prompt leads as it could be a nightmare or just fond memories or ambition.

This is my response. I hope you enjoy it.

Off with the fairies

Each year the school reports told the same story:

He’s off with the fairies.

Poor concentration.

Needs to pay more attention.

Daydreamer.

Doesn’t listen in class.

Must try harder.

Needs a better grasp on reality.

Will never amount to anything.

Meanwhile, he filled oodles of notebooks with doodles and stories.

When school was done he closed the book on their chapter, and created his own reality with a best-selling fantasy series, making more from the movie rights than all his teachers combined.

Why couldn’t they see beneath the negativity of their comments to read the prediction in their words?

 

Of course, not all daydreamers become successful, and not all children have a negative schooling experience. For a much more appreciated and positive set of comments, read this post by Elizabeth on Autism Mom Saying Goodbye to Elementary School.

Thank you for reading. I appreciate your feedback. Please share your thoughts.

Is the ‘right way’ always the best way?

Giving children opportunities to question, to be creative, and to problem solve are high on my priorities. Children need to be given the time and opportunity to figure out things for themselves. While it is sometimes easier just to tell or show them what to do, or even do it for them, it is generally better for their development, to let them have a go at finding a method or solution. Please note: I am not talking about dangerous things here like playing with fire, testing to see how fierce that dog really is, or driving a car.

If children are constantly told there is a right way of doing things, they will stop exploring, discovering, and inventing their own or new ways of doing things. This is an issue because, if we always do what we’ve always done, we’ll never progress. There is generally no harm in, but much to learn from, each successive attempt.

Opportunities to explore, discover, and use intuition are also important to the development of mathematical thinking. When children are developing understanding of number, they often invent their own strategies for working with numbers. Sometimes, as attested in this paper by Heirdsfield, Cooper and Irons, the strategies used display more advanced thinking, and are more efficient, than those taught as ‘the’ correct way of solving a problem using pencil and paper.

I have noticed a change in the speed and agility with which my seven-year-old grandson works with numbers now that he has learned there are certain ways of; for example, adding two numbers. He tends to second-guess himself as he attempts to mentally calculate using the pencil and paper method he has been taught, rather than other more effective strategies he had previously invented and used. Perhaps you have noticed something similar.

Provocations, such as these 3 Fun Inquiry Maths Activities for the Last Week of School by Steph Groshell on Education Rickshaw,  are great to get children thinking about different ways of solving real problems.

Little Koala’s Party – a story for problem solving in the readilearn mathematics resources also encourages mathematical thinking and planning. Children help Little Koala organise a party for her family and friends, deciding who will be invited, the number of guests, and what’s on the menu. The suggestion is made that children plan a party of their own and they are asked to consider how they would go about it. The discussion and sharing of ideas, rather than the imposition of one ‘right’ way, is the important thing in developing mathematical thinking.

Now it might seem a stretch to tie this in with a piece of flash fiction, but I hope you’ll be able to follow my thinking through the mist and into the light.

This week at the Carrot Ranch, D. Avery took the reins from Charli Mills and challenged writers to in In 99 words (no more, no less) write a story that symbolically, mythically, mystically, or realistically involves dawn, as a noun or verb. Write about the dawn of time or the time of dawn, or the dawning of an idea. As always, go where the prompt leads.

The right way

Father and Son sat side by side. Father cracked his knuckles and sighed repeatedly while Son sharpened his pencils, each pencil, and arranged them meticulously according to undisclosed criteria.

“Come on. Just get it done. Then you can play.”

“I’m thinking.”

“Think faster.”

“I know it’s 96.”

“Well write it down.”

“Sir says I have to do the working out.”

“Then do it.”

“I don’t know how.”

“Like this. See.”

“That’s not how we do it. Sir says…”

“Then do what Sir says.”

Slowly it dawned on Dad: Sir’s way may not be the best way for all.

Thank you for reading. I appreciate your feedback. Please share your thoughts.

 

Is contentment compatible with a growth mindset?

I am quite a fan of the growth ‘not yet’ mindset which focuses on a belief in the ability to do and achieve more through persistence and hard work. I have previously written about this mindset in What do you have in mind? and in The power of not yet.

I wonder how compatible a growth mindset is with a complacency or acceptance of the way things are; a “This is it. I can’t do anything about it.” attitude.

When I think of contentment, I think of serenity, tranquillity, a feeling of peace and acceptance. I think of it as a positive state of mind. The dictionary defines it as:

Does this imply that there is no wish for things to be different?

I often talk about the importance of imagination and creativity to inspiring innovation and invention. But do they also require a certain degree of disequilibrium or discontent with the way things are? Is it necessary to find fault with something in order to improve upon it? How many gadgets do you use regularly, accepting their imperfections without a thought of how they might be improved? It is not necessary to have the ability to improve them in order to imagine how they might be improved.

A fun thing to do with children is to get them to think of an easier or more enjoyable way of conducting a routine activity. How about an alternative to the traditional, in Australia anyway, emu parade which has children criss-crossing the school grounds, bobbing up and down to pick up rubbish? How about something to carry their heavy back-packs home? Or something to do their homework? (Oh, that’s right, they’ve already invented parents for that!)  I’m sure children, and you, can imagine far more exciting improvements.

Imagination is the driver of innovation and change. But it also requires action. It is the action that gets us into the growth mindset; perseverance, hard work and repeated attempts. As Edison is oft quoted,

 “I have not failed. I’ve just found 10,000 ways that won’t work.”

He also said,

“To invent, you need a good imagination and a pile of junk.”

I wonder how my friend Pauline King The Contented Crafter would respond to my title question. While I know she has reached a certain stage of contentment in her life, I also know that she strives to better her craft, and does what she can to make the world a better place. How much need for change or improvement can contentment tolerate?

Charli Mills of the Carrot Ranch and her flash fiction challenge to In 99 words (no more, no less) write a story about feeling content  got me wondering about this. Charli talked about moments of contentment sprinkled among frustrating events and dreams of change.

It helped me realise that, while they appear to be in contradiction, we need a little of both. We need to be happy with who we are, what we have, and what we have achieved; while at the same time, we need to be aware of what can and should be improved, and some strategies for action. Questioning is important to stimulate imagination, and when paired with creative thinking, innovation can occur. We need the inspiration of just one forward-thinker to lead us into the future.

The same balance between contentment and growth can be seen in children’s play. I have used it as my response to Charli’s challenge. I hope you enjoy it.

Purpose in play

They worked furiously as if with one mind; digging, piling, shaping, smoothing the sand.  As if on cue, two began to tunnel through from opposite sides, meeting in the middle. Others carved into the surface, forming window-like shapes. Sticks, leaves, and other found objects adorned the structure. Then, simultaneously, the work stopped. They glowed with collective admiration. But Than was not yet content. Something was missing. He swooped on a long twig and stuck it into the top, antenna-like. “For communicating with the mother ship,” he declared. Soon they were all feverishly adding other improvements to their alien craft.

Thank you for reading. I appreciate your feedback. Please share your thoughts.

 

 

Introducing author Cynthia Mackey – Readilearn

This month I am pleased to welcome first time author Cynthia Mackey to the readilearn blog.

Cynthia has always loved children’s literature.  After years of teaching preschool and kindergarten, she is proud to have written her first children’s book, Katie Shaeffer Pancake Maker.  Cynthia writes in her spare time and has plans to publish more picture books for children.  She lives on the west coast of British Columbia, Canada with her family and her piano where she faithfully continues her weekend pancake tradition.

Synopsis: In Katie Shaeffer Pancake Maker, Katie is too young to use the stove so she dreams of making her very own pancakes. Join Katie and her friend Baxter in this fun story as they use a passion

for collecting and building to find a way to realize Katie’s pancake dream!  This upbeat energetic tale with great potential for reading aloud will appeal to adults and young children alike.  The book includes a predictable rhyme that will have children chiming in as the story unfolds.  Children will celebrate with Katie and Baxter as their pancake dream becomes reality!

Welcome to readilearn, Cynthia. We are looking forward to getting to know you a little better.

Thanks for inviting me!

Cynthia, when did you know you wanted to be a writer?

Continue reading: Introducing author Cynthia Mackey – Readilearn

Meet author-illustrator Chrissy Byers – Readilearn

This month it is my pleasure to introduce you to Chrissy Byers – author, illustrator, and early childhood educator. It was only after many years in the classroom and becoming a parent herself that Chrissy was able to fulfil her lifelong dream of being an author and illustrator. With the success of her first book The Magic in Boxes, and another on its way, Chrissy shows us that dreams can come true.

Chrissy, what was your motivation for writing this book?

As an experienced early years class teacher, I had noticed that, with the rise in technology there was a decline in the amount of time children spent engaging in imaginative play.  I was compelled to write and illustrate a children’s book which would remind parents, and inspire children, to see the magic in everyday household junk.

Unlike a traditional children’s book, I felt that the recount genre would suit my intentions better than a narrative.  I saw this as being an additional bonus for primary teachers, as there are very few examples of recount picture books.

The repetitive text elements encourage pre-reading children to join in a shared reading experience.  It also provides opportunity to incorporate hand gestures when reading, which helps focus young minds and occupy little hands during carpet time.  The rhyming couplets assist in reading prediction and keep the beat of a fast-moving text.

Do you think of yourself more as a writer or an illustrator?

Continue reading: Meet author-illustrator Chrissy Byers – Readilearn

Is anybody watching?

This week at the Carrot Ranch Charli Mills challenged writers to consider audience, and to In 99 words (no more, no less) write about an audience. It can be broad or small, and gathered for any reason. How does your character react to an audience? Is the audience itself a character.

I have always considered audience important for children’s writing. Too often in school, writing is done simply for the teacher, to complete an exercise. It is read and marked (corrected) without any real concern for the writer and the writer’s purpose. That’s if, in fact, there was a purpose other than to complete the task set by the teacher.

However, it is possible to give children in school a sense of audience. They can write for the class as an audience, “publishing” their work to place in the book corner for independent self-selected reading. They can write for parents or other relatives and friends to mark special occasions such as Mother’s Day and Father’s Day, Christmas and Easter. They can write for younger siblings or buddies. Letters can be written to residents in nursing homes, characters in books, the principal, politicians, and the local newspaper. Diaries can be written and shared with teachers. Audiences can be found everywhere.

But an audience is not essential for every piece of writing. Sometimes we write just for ourselves. Sometimes even we are not an audience for our writing; when it is simply the act of writing, of expressing our thoughts that is important. Express, understand, release.  That can be all there is.

While I think this is less so for young children, as they move towards double figures they may like to have a private lockable diary in which to confide. As you would wish your privacy to be respected, so should theirs. This is not true for their online communication though.

There is the lovely saying  that includes the words “Dance like there’s nobody watching” and “Sing like there’s nobody listening”. The words are meant to be encouraging: “It doesn’t matter if you suck at it, just do it anyway.” I wonder why it doesn’t include the words:  “Write like there’s nobody reading.” Would you? Do you?

Recently I admired and envied my 5-year-old granddaughter’s uninhibited self-expression as she sang and danced her way through the shopping centre. She didn’t care if anyone was watching or not. She was in the moment, in flow, sharing her joy in simply being. This is not a characteristic unique to my granddaughter. I have observed the same exuberance in other children.

Most often the children’s behaviour draws smiles from passing adults; but what would the reaction be if it were an adult singing and dancing through the shopping centre? The occurrence, at least with such enthusiasm, is much less common. Breaking into song and dance may seem normal in musicals but doesn’t generally happen in real life.

How would you respond? Would you smile, ignore, or hasten away?

I was fascinated by some videos I came across when I Googled “Dance like nobody’s watching”. Here’s one:

Children seem to vacillate through stages of “Watch me!” and “Don’t look at me!”, from pride to embarrassment.

I think it is that embarrassment that kicks in with writing, as it does with most other things. We learn to compare ourselves with others, and generally find ourselves lacking,  If only we realised those “more confident” others probably feel the same.

Or we might be reluctant to share out of fear of what others may think? Elizabeth Gilbert makes a good point in her book Big Magic: Creative Living Beyond Fear. She says,

“Recognizing that people’s reactions don’t belong to you is the only sane way to create. If people enjoy what you’ve created, terrific. If people ignore what you’ve created, too bad. If people misunderstand what you’ve created, don’t sweat it. And what if people absolutely hate what you’ve created? What if people attack you with savage vitriol, and insult your intelligence, and malign your motives, and drag your good name through the mud? Just smile sweetly and suggest – as politely as you possibly can – that they go make their own fucking art. Then stubbornly continue making yours.” 

Gilbert says that we shouldn’t take “art” too seriously and quotes Tom Waits who once told her:

 “You know, artists—we take it so seriously. And we get so freaked out about it, and we think that what we’re doing is so deadly important. But really, as a songwriter, the only thing I do is make jewelry for the inside of people’s minds. That’s it.”

 

I shared Elizabeth Gilbert’s TED Talk Your elusive creative genius in a previous post Whose idea is it anyway? over three years ago, but it is worth sharing again. With over 12 million views, I know I’m not the only one to find it worthy.

 

So, I’ve gone from audience to creativity. But what is creativity for, if not for audience? If your writing or artwork is not created to share with an audience; is the lack of an audience still uppermost in your mind as you create? Audience or no audience, self or other, how does it influence the process and product? Can you sing or dance without an audience, at least of self?

For my flash story, I’m going back to the carefree days of childhood when life was fun and there was not a care in the world, and you danced and sang, whether anyone was watching or not. Really?

The joy of childhood

The cool grass teased her toes and the breeze tugged at her skirt, begging her to dance. She flung wide her arms to embrace the world as she lifted her face to the skies.  They smiled approval and she began to sway. Her fingertips tingled with expectation as her gentle hum intensified, summoning the music of the spheres to play for her. And play they did. She twirled and swirled to their rhythm singing her own melody in perfect harmony. Suddenly she was done. She clapped her hands to silence the orchestra and went back to her sandpit friends.

Thank you for being my audience. I appreciate your feedback. Please share your thoughts.