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Tag: Literacy

  • A sprinkle of this, a pinch of that, and poof! It’s reading — magic!

    A sprinkle of this, a pinch of that, and poof! It’s reading — magic!

    ArtbyJonz ©Norah Colvin 2015

    My children were early readers. Both began reading real books well before their fourth birthdays. Of course, the timing, whether early or late, matters little now that they are adults. What matters is that they are readers who read competently and confidently for a range of purposes including for information and pleasure. They are readers by choice as well as purpose.

    The ability to read is something that most of us take for granted. Many have no recollection of learning to read, only of being able to do so all of a sudden, as if we just could, by magic.

    But, as with any spell, there are certain essential ingredients that make the magic happen and others that inhibit the process. Creating readers of choice and not just purpose is the real magic. Creating non-readers is the effect of a spell in reverse, of a bad mix of ingredients, that sadly occurs all too often.

    Bec reading to herself at 12 months
    Bec reading to herself at 12 months

    My children were readers of choice long before they could read anything for themselves. I wouldn’t say I set out to “teach” them to read. In fact, I didn’t at all. I set out to encourage in them a love of books and writing. Their learning to read was a by-product of sharing the love of words, language and reading.

    The magic ingredients for developing readers:

    • Talk
    • Play
    • Read
    • Write
    • Love
    • Fun

    I loved having time with my children. Being with them, watching them grow and develop was special, the best and most magical of days. They taught me as much or more about love, life and learning as they learned from me.

    Talk

    From their earliest days I talked to them, explained things to them — what was happening, what we were doing, and how things worked. I pointed things out and told them what it was called, what it was doing, what it was used for, or how it worked. When we were out and about, I’d point out signs and explain how I knew to stop or where to go. I avoided “baby” talk and always used appropriate everyday language.

    Play

    We played and had fun together, using our imaginations to create our own games. Sometimes we played simple board games and completed jigsaw puzzles. Whatever we played, talk always accompanied it.

    Nor and Bec reading the family book
    Reading to Bec at about 12 months old.

    Read

    I read to them, every day, not just one but many books. As I read, we discussed details in the illustrations and made predictions about the stories, sharing our thoughts. If a word was presented in a large or colourful font, I’d point to it as I read it. We’d laugh at the funny stories and cry at the sad and discuss all the story events. When they could read, they’d read to me, and we took turns reading together until they were early teens.

    Write

    When they first started to talk, I made books with pictures and words from their growing vocabulary. I labelled items in their rooms; for example, bed, shelf, window, door.

    I made books about things we did with photographs and text. A book about our family made for my daughter’s first birthday was one of the favourites when cousins came to visit too.

    The environment

    I provided my children with an environment rich in language, books and opportunities for thinking. I’d read and write with them and to them, and they’d see me reading and writing for myself as well.

    When son Rob was little, I didn’t yet know what I now know about the development of language, reading, and thinking. He taught me much that was later confirmed by my studies.

    Rob reading to his toys at age two
    Rob, aged two, reading to some of his toys.

    When he was only two, Rob would line up his toys on the couch, sit in the middle, and “read” to them. He would almost recite the stories from beginning to end. He already knew that the words in a book remain the same each time they are read — an important concept for beginning readers to grasp. When he was only three, he’d jump into bed beside me in the early morning after Hub had gone to work, prise my eyes open, and read to me! Magic!

    Daughter Bec was born twelve years after Rob. Meanwhile, I had returned to college and studied the development of reading and language. I was amazed to find that we had unwittingly created the essential mix of ingredients for his learning to occur

    Naturally, armed with experience as well as understanding, I did things pretty much the same for Bec — talking, reading, writing, playing, having fun and enjoying time together.

    Bec sharing one of her favourite books.
    Bec sharing one of her favourite books.

    When she was five, Bec was invited to participate in a study of children who learned to read before starting school. Of the children (maybe half a dozen) involved in the study, Bec was the only one the researcher considered to be really reading. She was reading fluently, with comprehension and at a higher level than the other children.

    Some of the children were able to recognise isolated words, but not read them in continuous text. Others had been taught letters and sounds using flashcards and stopped to ‘sound’ out every word. They hadn’t become real readers.

    Bec was not subjected to reading “lessons” as the other children had been. She was immersed in an environment that encouraged a love of learning, language and literacy.  The other parents had a need for their children to read as if their value as parents depended on it.

    While I had an expectation that Bec would read, I was confident that she would come to it in her own time. My credibility as a parent was not tied to her ability. Having said that, both children (adults) are now very successful in their chosen fields, so I must have done something right. Or perhaps we were just lucky that we chanced upon the magic mix of ingredients.

    I do wish that all parents would include a sprinkle of language and a pinch of reading mixed with love and fun into their children’s lives every day. It would contribute greatly toward eradicating illiteracy.

    Carrot Ranch flash fiction prompt by Charli Mills: magic

    What got me thinking about reading, and magic in particular, is the challenge by Charli Mills at the Carrot Ranch to In 99 words (no more, no less) write a story that includes magic. It can be a supernatural force, a moment or idea, or use it as a verb. Go where the prompt leads.

    The ability to be transported into other realms is pure magic. The ability to share this magic with others is bliss.

    Mem Fox has more to say about that in her lovely book for parents Reading Magica book I always include when selecting gifts for first-time parents.

    Reading Magic by Mem Fox

    Here is my response to Charli’s prompt. I hope you enjoy it.

    A Sprinkle of This and a Pinch of That

    “Whatcha doin?”

    “Makin’ a spell.”

    “What sorta spell?”

    “A magic spell.”

    “Can I help?”

    “Sure.”

    “Whadda I do?”

    “Put stuff in the pot.”

    “What sorta stuff?”

    “Gotta read the recipe.”

    “What’s it say?”

    “Ya gotta read it.”

    “I can’t.”

    “Oh. Okay. I’ll help. Look, it says …”

    Mum stopped at the door to the kitchen. “Wha— What are you doing?”

    “Nothin’,” mumbled the older.

    “Makin’ magic spells,” grinned the younger, covered in flour from head to toe.

    “What sort of magic spell?” asked Mum, wishing for her own magic spell.

    “Take us to outa space.”

    “Can I come too?”

    Thank you blog post

    Thank you for reading. I appreciate your feedback. Please share your thoughts.

     

  • readilearn: Introducing Katrin Dreiling illustrator of The World’s Worst Pirate

    readilearn: Introducing Katrin Dreiling illustrator of The World’s Worst Pirate

    This week I have enormous pleasure in introducing you to Katrin Dreiling illustrator of The World’s Worst Pirate, written by Michelle Worthington.

    The World’s Worst Pirate is a captivating book about being true to yourself and unleashing your inner strengths.

    Story Synopsis

    One might wonder why Will, the world’s worst pirate, would want to be a pirate anyway. The truth is, he didn’t. There wasn’t much at all he liked about being at sea. He was happiest in the galley cooking cupcakes. The ship’s captain, his mother, on the other hand, couldn’t understand why he didn’t love being a pirate as much as she did. When the ship is attacked by a terrifying sea monster, no one could have predicted the outcome. Katrin Dreiling’s illustrations are a perfect fit or Michelle Worthington’s story. They add humour, delight, and a sub-plot of their own.

    The Illustrator

    The World’s Worst Pirate, published by Little Pink Dog Books in 2017, is Katrin’s first picture book. In 2018 the book received the CBCA Notable Book award, a wonderful achievement, especially for a first book. Prior to becoming an illustrator in Australia, Katrin studied languages in Germany to become a teacher. She loves to come up with quirky creations that inspire children to get creative themselves. Katrin’s second book, also written by Michelle and published by Little Pink Dog Books, will launch in September this year.  Katrin also enjoys writing for children and regularly teaches art classes in Newfarm, Brisbane.

    The Interview

    Welcome to readilearn, Katrin.

    Thank you for inviting me.

    Katrin, The World’s Worst Pirate was listed as a Notable Picture Book in the CBCA 2018 Book of the Year awards. Congratulations. Since it is your very first published picture book, that must have been very special. How did it make you feel?

    Continue reading: readilearn: Introducing Katrin Dreiling illustrator of The World’s Worst Pirate

  • readilearn: What place do worksheets have in your early childhood classroom?

    readilearn: What place do worksheets have in your early childhood classroom?

    How do you feel about worksheets? Love them? Hate them? Use them sparingly?

    I would say I’ve never been greatly in favour of worksheets. I’m not saying I never used them, but I used them sparingly. If I could do something as well or better without using a worksheet I would. There were a few reasons for this:

    • I valued children’s own work and didn’t feel the need to “pretty” up their books with the work of others.
    • I always looked for ways to progress children’s learning as opposed to keeping them busy.
    • I liked to reduce our paper usage.

    Available on the internet and in bookstores are oodles of collections of worksheets; worksheets for anything you can imagine. You can spend hours trawling through websites looking for a sheet to support learning or practice a specific concept. Some of that time could be better spent considering other opportunities you could provide children for learning or practice, or even doing something pleasant for yourself for a change. Now there’s a thought.

    When you think you may want a worksheet, or come across a worksheet that you may want to use, stop and evaluate its potential benefit:

    Continue reading: readilearn: What place do worksheets have in your early childhood classroom?

  • readilearn: Learning to be friends – unleash your friendship superpower

    readilearn: Learning to be friends – unleash your friendship superpower

    Sometimes we expect that all we have to do for children to make friends is to put them in close proximity to other children. We may see it happen at the park, in a playground, in a shopping centre, at school. Children are attracted to other children, but it is not always easy for them to make friends. We should no more expect them to get along than we would expect adults thrown together at a party, conference or other social situation to become friends immediately.

    While some children are gregarious and will talk to anyone, others may be more introverted and less inclined to make the first move. But whether extrovert or introvert, children need to learn how to interact with others in ways that encourage friendships to be made. The development of social-emotional skills, including empathy or understanding how others feel, is an important part of becoming a friend.

    Make friendship skills lessons an ongoing part of your program

    Lessons in how to be a friend need to be an ongoing part of any class program. While many teachers allocate some time for getting to know each other at the beginning of the school year, it is important to maintain the focus throughout the year. As children mature and interact with others, they will encounter a greater variety of situations with which they need to deal.

    It is not always necessary to timetable or set up specific lessons. Sometimes the spontaneous discussions before and after break times can help highlight needs and alert you to who is having trouble in the playground. These focused incident-specific discussions can help resolve issues and prevent them from escalating.

    As new children enter the class, they also need to be introduced and made to feel welcome and included. It is important for the introductions to go both ways. New children have many others to get to know; the existing class members have only one, and it may be difficult for a new child to settle into established groups. It is necessary to establish procedures that will help a child settle while more permanent friendships are being formed. For example, friendship buddies could be allocated to show the child around and help them become familiar with school routines and behaviour expectations.

    Establish a supportive classroom environment

    One of the best ways of ensuring that children feel friendly towards each other is by establishing a supportive classroom environment in which children have a sense of belonging, feel respected and valued.

    Previous posts about establishing a supportive classroom environment include Establishing a supportive classroom environment from day one. A search of resources using the words ‘supportive classroom’ will bring up a list of other related posts and resources.

    Continue reading: readilearn: Learning to be friends – unleash your friendship superpower

  • readilearn: Introducing Jennifer Poulter, author of Hip Hop HURRAH! Zoo Dance

    readilearn: Introducing Jennifer Poulter, author of Hip Hop HURRAH! Zoo Dance

    Meet Australian author J.R. Poulter as she discusses her beautiful picture book Hip Hop Hurrah Zoo Dance which is great for reading and getting kids moving.

    This week I am delighted to introduce you to prolific Australian author Jennifer Poulter. Jennifer writes fiction and poetry for children, education and the literary market. She has had over 50 traditional books and thirteen digital picture books published. She writes under the names J.R. Poulter and J.R. McRae and has received numerous awards for both fiction and poetry writing.

    Throughout her career, Jennifer has been employed in numerous roles including Senior Education Officer with the Queensland Studies Authority and Senior Librarian with the State Library of Queensland. She even once worked in a circus. In addition to writing, Jennifer is also an editor and artist. Now, under the banner of Word Wings, Jennifer collaborates with other creatives from over 20 countries.

    Today I am talking with Jennifer about her picture book Hip Hop HURRAH! Zoo Dance.

    What initially attracted me to this book is its ability to get children moving. What a great way to incorporate fun with movement and reading into any day.

    The book also fits perfectly with a dance curriculum that encourages children to become aware of their bodies and how they move in space, to explore and improvise dance movements. Children can be encouraged to move like the zoo animals in the book or improvise movements for other animals and objects that move.

    But Hip Hop HURRAH! Zoo Dance can also find its place in the literacy curriculum. Written in rhythmic verse, it encourages children to join in with the reading. It has a treasure of words to delight and extend vocabularies and add sparkle to writing; words like ‘limber, fandangle, prance and shimmies’. Children will laugh at the hippos with the backside wobbles and be intrigued by the combination of illustrations by Jade Potts and the variety of media used by designer Takara Beech in creating the double page spreads.

    If you throw in some counting of animals and legs, needs and features of living things, and places they live, you can cover almost the entire curriculum with this one little book. But enough from me, let’s find out what Jennifer has to say.

    Continue reading: Introducing Jennifer Poulter, author of Hip Hop HURRAH! Zoo Dance – Readilearn

  • readilearn: A week’s reading instruction with Bullfrog’s Billabong

    readilearn: A week’s reading instruction with Bullfrog’s Billabong

    The readilearn Bullfrog’s Billabong suite of cross-curricular resources can be used as the foundation for planning a week’s reading instruction including lessons with the whole class and small groups and independent work. The activities cater for different ability levels in your early childhood classroom and can culminate in a performance to be presented to other members of the class, other classes in the school, or parents.

    Bullfrog's Billabong, teaching effective reading strategies with covered cloze on the interactive whiteboard

    Begin by introducing the story as a covered cloze activity (a lesson ready for you to teach) presented to the whole class on the interactive whiteboard. Although all children are engaged in reading the same story, the activity allows them to participate at their own level. The teacher-led discussion can be tailored to student needs, allowing each to contribute according to what they already know and extending their understanding by discussing cues for reading and irregular as well as regular spelling patterns. Children learn from each other as they actively participate in the cooperative reading activity. Refer to Covered cloze — teaching effective reading strategies and Bullfrog’s Billabong — Cloze — How to use this resource for suggestions.

    As with introducing all new reading material, it is important to engage children’s interest by making connections with what they already know about the topic and explaining what may be unfamiliar; for example, a billabong, and encouraging them to make predictions about what might happen in the story. As the story unfolds, children may adjust their predictions and thoughts about the story.

    Continue reading: readilearn: A week’s reading instruction with Bullfrog’s Billabong – Readilearn

  • readilearn: Libraries: A wondrous universe to explore — A guest post by Dimity Powell

    readilearn: Libraries: A wondrous universe to explore — A guest post by Dimity Powell

    This week I am delighted to introduce you to award-winning children’s author Dimity Powell.

    Dimity likes to fill every spare moment with words. She writes and reviews stories exclusively for kids and is the Managing Editor for Kids’ Book Review. Her word webs appear in anthologies, school magazines, junior novels, as creative digital content, and picture books including The Fix-It Man (2017) and At The End of Holyrood Lane (2018).

    She is a seasoned presenter both in Australia and overseas, an accredited Write Like An Author facilitator and a Books in Homes Role Model Volunteer in Australia.

    Dimity believes picture books are soul food, to be consumed at least 10 times a week. If these aren’t available, she’ll settle for ice-cream. She lives just around the corner from Bat Man on the Gold Coast although she still prefers hanging out in libraries than with superheroes.

    In this post, Dimity shares her love of libraries and explains why it is important to ensure every child has access to a library at school and every reader a local library.

    Welcome to readilearn, Dimity. Over to you.

    Continue reading: readilearn: Libraries: A wondrous universe to explore — A guest post by Dimity Powell

  • readilearn: Help your child read – some strategies

    readilearn: Help your child read – some strategies

    The importance of reading

    The ability to read is one of the most valuable skills we can acquire.  It is a tool for thinking, learning and entertainment. Reading opens doors and minds; it gives us the ability to unlock the secrets of the universe and release our imaginations. It is a skill that many of us take for granted, but without it the world would seem a more unfriendly place.

    No wonder learning to read is a vital part of each and every school day!

    Like everything else —the more you read, the better you get!

    Reading is more than just saying all the words on the page in order. Reading is a process of getting meaning from print. Effective readers use their knowledge of the world and of language in their quest to make meaning from the words on the page. Reading takes place when the reader understands the message of the writer.

    Strategies used by effective readers

    Effective readers use a combination of three cuing systems to predict and check what the author has written. The use of these systems is obvious in the miscues (rather than “mistakes”) that readers make.

    1. The most important cuing system is knowledge of the topic. If you know lots about dinosaurs, you can read those big difficult-looking words and understand what they mean. If you know nothing of legal jargon then even sounding out those big difficult-looking words won’t help you understand.
    2. The second system is knowledge of language and grammar. We expect the words to flow with meaning and not be a jumble of nonsense.
    3. The first two systems combine to predict the words on the page. We then check with the print to ensure our expectations were correct.

    For example, if the story is about a cowboy you may expect that he would jump on his pony, but when you look at the print, you find he actually jumped on his horse.

    Effective readers may say ‘pony’ instead of horse, but they definitely wouldn’t say ‘house’ (which looks similar) as it just wouldn’t make sense!

    Continue reading: readilearn: Help your child read – some strategies

  • readilearn: What do we do when we read?

    readilearn: What do we do when we read?

    Have you ever considered what we do when we read?

    For many of us, reading has become such a natural and intuitive process that we rarely stop to marvel at the way we are able to make meaning from print or to question how one learns to read.

    Although we know that we once weren’t readers, few can remember how we actually made the transition from being a non-reader to being able to read and have been doing it for so long now that it seems we always could.

    Some adult readers have recollections of various instructional methods that were used in school and attempt to engage their own learner readers in similar tasks.

    The recognition that some of the instructional methods did, and still do, equip readers with some tools for reading, does not imply that the use of these methods was the catalyst for learning to read. While they may have contributed to the development of reading, there are other influencing factors.

    Many children learn to read despite the instructional methods, and many others don’t read using them and, in fact, remain non-readers because of them.

    What is reading?

    Reading is more than simply translating letters and words to sound. Reading involves thinking. It is a process of getting meaning from print.

    Continue reading: readilearn: What do we do when we read?

  • The importance of illustrations in picture books – a guest post by Emma Middleton – Readilearn

    The importance of illustrations in picture books – a guest post by Emma Middleton – Readilearn

    This week I have great pleasure in introducing you to Emma Middleton who is here to discuss illustrations in picture books as tools for analysis, enjoyment and interpretation.

    Emma is a picture book author, illustrator, children’s performer and former ballerina who lives near Noosa, Queensland. After a career in performing arts, during which time she danced for the Vienna Ballet, she returned to Australia to direct and teach at The Brighton Dance Academy.

    Emma retired from teaching dance to follow her passion for picture books by creating stories that will enhance a child’s sense of wonder, delight and unlimited possibility. Emma is the author of companion picture books The Lion in our Living Room and The Bear in our Backyard.

    Welcome to readilearn, Emma. Over to you.

    Illustrations in picture books can be an excellent tool for developing children’s analytical and interpretative skills, as well as enhancing their enjoyment of art. Picture book advocate Megan Daley says, ‘Picture books are works of art which should adorn the walls of art galleries and libraries.’

    For young children, illustrated books open the door to understanding story. Illustrations provide young readers with an immediate vision of the characters, setting, and mood of the story. Children instantly respond to characters from their visual appeal. We all know and love many picture book characters from their image alone.

    Emma Middleton discusses the importance of illustrations in children's picture books, including Peter Rabbit

     

    Continue reading: The importance of illustrations in picture books – a guest post by Emma Middleton – Readilearn