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Tag: Early childhood education

  • Freeze!

     

    GDJ, Playful stick figures https://openclipart.org/detail/230070/playful-stick-figure-kids
    GDJ, Playful stick figures https://openclipart.org/detail/230070/playful-stick-figure-kids

    Freeze, or Musical statues as it is sometimes called, is a popular childhood game wherever groups of children gather.

    While not suggesting that playing the game has any great educational benefit, it can be used with good effect from time to time in early childhood classrooms.

    As with other games, it does provide opportunities for children to:

    • participate in a social situation
    • understand and follow game rules
    • accept game decisions, for example  being out
    • respond in positive ways to their own participation and the participation of others
    • have fun

    It also provides opportunities for activity and to release tension.

    In this post I describe how to play the basic game and a few variants and suggest some times suitable for its use.

    How to play Freeze

    The basic game

    Requirements:

    •  a manager, often a teacher or parent but can be a child
    • a group of participants, often children but anyone can play
    • enough space for the participants to move about without bumping into each other, and
    • a source of music that can be played and paused.

    How to play:

    • The participants find a spot within the defined space from which to start the game.
    • The manager plays a piece of music. Moving to the music, the participants move about the space without bumping into any other participants.
    • After a few seconds (varying duration between approximately 2-20 seconds) the manager pauses the music. As soon as the music is paused, the participants must “freeze”. Anyone seen moving is out of the game and sits to the side.
    • The game continues until only one participant remains.

    Variant #1 — Topic words

    No music is required.

    Before the game commences the manager, or the manager in consultation with the participants, decides on a set of specific statues to be used in the game. These statues are explained and demonstrated to participants.

    The manager turns away from the participants and counts loudly to ten, while participants form one of the statues. After ten the manager calls “freeze” and participants freeze in the statue they have chosen. The manager then calls out one of the statues and turns around to see who has made it. Those who did remain in the game. The others are out and sit to the side. (The reverse can also be played with the called statues going out and the others staying in. Participants would need to be informed of this before the game begins.)

    Suggestions:

    Monarch butterfly

    butterfly

    When learning about butterflies, participants could make these four statues:

    egg — curled up in a ball on the floor

    caterpillar — prone on the floor

    chrysalis — standing with knees bent out to the sides and one hand pointing up while resting on the head (attached to a leaf or twig)

    butterfly — fists on hips and elbows out to the side (for wings)

    shapes

    shapes 

    When learning about shapes, participants could make these four statues:

    circle — fingers meeting above head, arms forming a circle, feet and legs together

    square —arms out to side, elbows in line with shoulders, forearms and fingers facing upwards at right angles, feet and legs together

    triangle — legs wide apart, and hands on hips with elbows out to the side, making three triangles in all

    rectangle — lying on back on the floor with arms and legs extended straight upwards

    Suggestion: the possible statues could be written or illustrated on a dice to be rolled or on cards to be selected.

    Variant #2 — Groups

    Music is required.

    The manager calls a number from 2 – 5 then starts the music. While the music plays participants quickly form groups of that number. They must freeze in group formation when the music stops. Groups that do not freeze and participants who are not able to join or form a group are out of the game and sit to the side.

    Play the game until four participants remain. Call all participants back into the game to move to the music once again.

     

    GDJ, Stick figure kids https://openclipart.org/detail/221994/stick-figure-kids
    GDJ, Stick figure kids https://openclipart.org/detail/221994/stick-figure-kids

    Suggestions:

    This game can be a fun way of exploring groups using the number of children in a class. No one is out in this version.

    Count the number of children in the class. Write the number on the board or chart. Play the music. Participants move to the music. When the music is paused call out a number. Children quickly form groups of that number and freeze. As a class count the number of groups, identify the number in each group, and how many “left over”.  Write the information on the board or chart. Repeat with all children participating for different numbers.

    grouping 25

    Variant #3 — Find a partner who

    Music is required.

    This activity will be noisier and require more time than other versions.

    In this version participants try to link up with someone with a similarity; for example the same colour eyes, the same number of people in the family, the same favourite colour, or who plays the same sport.

    Before the music starts tell the participants who they need to find. When the music stops, those who have not found a match sit to the side, as the others explain their matches.

    Everyone joins in again for each new round.

    Suggestion: Add a bit more fun with this one by having partners freeze  touching the same body parts together, for example, ankles, elbows, tops of head, or bottoms.

     

    Suitable times for playing Freeze

    • To transition from a noisy activity to a quiet activity
    • To provide an opportunity for movement during lengthy sessions of seated work
    • To dismiss children for recess (use Variant #1 rather than the basic game)
    • To ease a tense situation
    • To settle children and prepare them for the next activity
    • To have fun in a few ‘spare’ moments
    • Whenever you think it’s appropriate

    The stimulus for my thinking about the game Freeze this week is the flash fiction prompt set by Charli Mills at the Carrot Ranch to In 99 words (no more, no less) write a frozen story. Charli suggested that the freeze could be related to weather, emotion or time.

    My first thought was to the movie “Frozen” which my granddaughter enjoys, being completely captivated by Elsa and her beautiful blue dress. I thought she should prefer Anna who shares her name (though pronounced differently) and hair colour.

    My second thought was to the scientific explanation of cold as the removal of heat. It’s all relative. Instead I decided to go with a bit of fun. However, for my flash I did incorporate a little science thinking spurred by the question “Why do ice cubes crack when you drop them in drinks?”

    Frozen

    To an external observer she would have appeared immobile as if frozen in place and time. But her insides churned as the heat engulfed her body in a wave from toes to head. She thought her heart would erupt from her chest and wasn’t sure she could contain the contents of her noncompliant belly or from which end of her body they would spew. Others mouthed soundless words, their messages obliterated by the relentless pounding in her head. Just when she thought she’d crack, like ice exposed to sudden temperature change, she breathed deep, composing her tumultuous fear-fuelled mind.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

  • A celebration of Australian picture books #6 — Jackie French

    If-you-want-intelligent children

    This post is the sixth in a series celebrating picture books by Australian authors. If you missed earlier posts, please follow these links to the introduction, Mem Fox, Kim Michelle Toft, Narelle Oliver and Jeannie Baker.

    In this post I reintroduce you to Jackie French, prolific and well-known Australian author and advocate for literacy and the environment. She is currently the Australian Children’s Laureate with the task of promoting the importance and transformational power of reading, creativity and story in the lives of young Australians. In January she received an Australian of the Year Award for her contribution to literacy. Jackie’s words from her acceptance speech “If you want intelligent children, give them a book” resonated with me.

    You can listen to Jackie’s acceptance speech in its entirety here:

    These are some of my favourite quotes from the speech:

    Failure-is-not-an-option

    A-book-can-change-the

    There-is-no-such-thing

    Jackie has written over 140 books and won more than 60 awards. I am not going to share all of Jackie’s books here; just a few of her picture books that I own. This complete(ish) list of her books indicates the range of genres in which Jackie writes. Although in Standing on the Shoulders of Giants by Mark Rifidi Jackie describes it differently. She says,

    “People assume I write in different genres. From my point of view I don’t. Whether it’s history, ecology, or the fiction I’m writing about now, it’s all grounded in the way of life here and the landscape here.”

    (Jackie lives a self-sufficient life in the Araluen valley on the edge of the Deua wilderness area.)

    jackie french's books

    These are the four of Jackie’s picture books that I currently own. I have read others and given others away as gifts. While these four are illustrated by Bruce Whatley, Bruce is not the only illustrator of her work.

    2015-09-19 11.19.08

    Diary of a Wombat is probably Jackie’s best known and most popular picture book. This is what Jackie says about it, as recorded in Standing on the Shoulders of Giants:

    Diary of a Wombat isn’t fiction … (it) is pretty much a week in the life of Mothball, who is one of the wombats that got fed last night” 

    The seeming simplicity of the text coupled with Bruce Whatley’s gorgeous illustrations make this book a joy to read, over and over.

    In the book Mothball sleeps, eats, scratches, eats, sleeps, and easily trains humans to be “quite good pets”.

    You can listen to Jackie read it here.

    2015-09-19 11.16.36

    A sequel to the Diary, Baby Wombat’s Week is pretty much a week in the life of Mothball’s baby. It is just as delightful and humorous as the original story with new adventures and escapades; but still lots of sleeping and eating.

    There are two other books in the series: Wombat Goes to School and Christmas Wombat. The Secret World of Wombats is a non-fiction text exploring “everything you ever wanted to know about wombats.”

    2015-09-19 11.15.56

    Josephine Wants to Dance is a delightful story of a kangaroo who loved to dance but dreamed of dancing another way. One day the ballet came to town and Josephine decided that was how she wanted to dance. Though others discouraged her, Josephine was determined to give it a try. It is a lovely story of believing in yourself and following your dreams.

    2015-09-19 11.18.32

    Too Many Pears is another delightful and humorous story with illustrations that add interest and humour. (It reminds me a little of the battle Charli Mills had with gophers in her vegetable patch.)

    Pamela, a cow, loves pears. She loves them straight from the tree, in pies, with ice cream … any way she can get them. Amy and her family have to figure out a way of stopping Pamela from eating all their pears. They do. But then Pamela spies the apples!

    I am happy to recommend each of these books. They will not disappoint. Jackie’s text coupled with Bruce’s perfectly matched illustrations continue to delight during repeated readings.

    Jackie’s website too is a treasure trove of interesting stuff. On her Kids’ Facts and Info for School Projects page she shares her writing process and a lot of other information that would be of interest to writers as well as to kids. She also has a page of Writing  Tips and Advice and a page about How to Get Kids Reading, topics close to my heart.

    In addition to illustrating Jackie’s books, Bruce Whatley writes and illustrates books of his own as well as those of other authors. In a recent post I talked about drawing on the right side of your brain. In this video Bruce challenges everyone to have a go at drawing with their left hand. Is that engaging the right side of your brain?

    I am very grateful to Sarah Brentyn, who blogs at Lemon Shark, for alerting me to Standing on the Shoulders of Giants by Mark Rifidi just in time for this post. Thank you Sarah and Mark. I’m certain I will be having more to say about Mark’s book in future posts. It is a great resource celebrating the work of 20 Australian picture book authors and illustrators.

    In the final paragraph of her biography chapter in Mark’s book, Jackie says,

    “The one thing you show readers by writing about history is not to be afraid of change. Tomorrow always is going to be different from yesterday. It always has been. But human beings are extraordinarily good survivors, superb adapters. We are very good at creating a sort of world that we want. Books are perhaps the most effective tool to help us find it.”

    I like her thinking!

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post.

     

  • 20 Lifetime changes

    My big sister and me © Norah Colvin
    My big sister and me © Norah Colvin

    When Bec was little she would often say, “Tell me a story of when you were a little girl.” She would listen in wonder (in my dreams!) as I told her about life on a farm, holidays with relatives and funny things that happened in a large family.

    One day, with perfect comedic timing, she followed her request with the question, “What were the dinosaurs like?” We laughed at the time, and still do, but I think that question may have signalled the end of her interest in my childhood, for a time at least. Some aspects of my childhood would have been as unrecognisable to her as the world of the dinosaurs. It is even more so for the children of today.

     © Norah Colvin
    © Norah Colvin

    Learning about the past from parents and grandparents is one way of piquing young children’s interest in history. When I was in primary school we learned a little of history in what was then called Social Studies. Both ancient and modern history were available as discrete subject choices in high school but seemed to be primarily a list of dates, names and wars with little relevance to my teenage experience. Historical fiction brought otherwise remote and unfamiliar situations to life.

    I have touched a little on the topic of history in previous posts, I’m new here, Understanding family relationships and Whose story is it anyway? including mention of an early childhood unit Getting to know you, which is available in my Teachers Pay Teachers Store.

     © Norah Colvin
    © Norah Colvin

    It amuses me now when visiting museums, particularly small local historical museums as opposed to large national museums, to see artefacts from my childhood on display. Although I don’t necessarily consider myself “old”, definitely not passed my “use by” or even “best by” date, I do realise that to younger ones I am probably a relic from the past, holding as much interest for them as the objects on display. (I am not too old to remember what it was like to be young.)

    This week at the Carrot Ranch Charli Mills declares herself a history buff who digs “hanging out in cemeteries where history reads in the names and dates carved in stone.” I confess that I have rarely visited a cemetery other than to farewell a loved one and haven’t taken to reading gravestones to feed an interest in history.

    The teaching of history in my early childhood classrooms involved helping children to discover and record their own personal histories and the more recent histories of their families and local environment. Celebration or commemoration of historical events such as Australia Day, ANZAC Day or Remembrance Day required some elaboration, without too much detail, of their significance.

    Many of the experiences of children growing up now in the early part of the 21st Century are vastly different from those I experienced growing up in the mid-20th Century. Some of the differences are subtle and others more significant.

    Since I grew up in the 20th Century, as part of my historical record I decided to list 20 (random) changes that have occurred during my lifetime:

    1. I listened to music on vinyl records on turntables with manual arms. The records needed to be turned over after each side was played. There were no CDs, iPods, Youtube or streaming
    2. I spent hours in the sun, getting burnt to a crisp, without the protection of sunscreen.
    3. Polio was still a major threat and I knew children who suffered it. Now, thanks to immunisation, it is almost eradicated worldwide.
    4. We could purchase fireworks and set them off in our backyards and parks. I have no memory of huge firework displays such as are now part of most community celebrations.
    5. Shop opening hours were very different with shops closed half day Saturday and all day Sunday. No shops opened on Public Holidays and planning was required to ensure there was enough food in the cupboard to last the four day Easter Weekend.
    6. There were no huge supermarkets selling everything, mainly smaller grocery stores and some “corner” stores that sold a few “essential” items. Air conditioning was not common and chocolate was not readily available as it melted in the heat.
    7. There were no theme parks or water parks; just a few amusement rides such as merry-go-rounds and dodgem cars at local and state shows and fairs, and council swimming pools. Very few people had pools in their backyards.
    8. There were no computers, tablets or smart phones. When I started school I wrote on a slate, a tablet of a different kind.
    9. Fish and chips was the most popular and one of the few take-a-ways. There were no McDonald’s, pizza stores and few Chinese restaurants. There were no eateries in large shopping malls. In fact, there were no large shopping malls!
    10. We had an outside dunny with a pan that was collected and replaced weekly.
    11. Telephones were not in every home. They were attached to the wall and had a circular dial. Calls were manually connected by operators at telephone exchanges.
    12. Televisions first became available in Australia when I was a young child but my family did not own one until after I left home. I used to visit an aunt, who lived close by, to watch on her set after school some days.
    13. Cars ran on leaded petrol. I remember my Dad using a crank handle to start the car. The seats were hard and uncomfortable and there was no air conditioning (unless you count winding down the window).
    14. We would go to beach or the park to swim or play all day, without adult supervision. The only requirement was to be home before dark.
    15. Photographs were taken with a box camera and a roll of film which needed to be sent away to be developed and took weeks to be returned. It could take months to fill the roll and often the occasions were well in the past before the photos were received. It was expensive and multiple shots of the same image were not encouraged.
    16. There was little traffic and cars were slow so children often played in the street, which were sometimes still dirt and mostly without kerbs. It seemed to take forever to get from one place to another.
    17. To keep food cool we had ice boxes for which an ice man would deliver a large block ice daily.
    18. We used imperial standards of measurement including pounds and ounces, inches and feet; and shopped with pounds, shillings and pence before converting to decimal currency in 1966 and other units soon after.
    19. Smacking by parents and corporal punishment in school was the main form of discipline. If children were in trouble at school (I never was!J) then they were usually in more trouble at home.
    20. In school we sat in rows of desks nailed to the floor. We listened to the teacher and learned by rote lists of facts which were often chanted repetitively. There was definitely no talking in school and no group work.

    old school room

    I add one wish for another change I’d like to see in my lifetime in the 21st Century:

    For friendship, understanding, tolerance, empathy and peace to rule a sustainable and equitable world!

    I don’t ask for much, do I?

    Now back to the cemetery and Charli’s flash fiction challenge to In 99 words (no more, no less) write a story about a final resting place. I have taken Marnie to the place where her parents rest as she discovers more about them and their history than she had before realised.

    Graveside

    She wasn’t sure why she was here. Miss R., Annette, had suggested she come. So she did. What struck her most, as she read the grave markers, was their ages. She’d never thought of them as young but their life spans were short; both a mere 49 years, going within a year of each other. She worked it out. They were younger than she was now when she’d left home. Who’d have thought? She felt a strange sadness, a familiar hollowness, not for the loss of their lives but for the absence of love, love which had never been.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

     

  • It’s a steal

    cyberscooty, The Thief https://openclipart.org/detail/220956/the-thief
    cyberscooty, The Thief https://openclipart.org/detail/220956/the-thief

    This week at the Carrot Ranch Charli Mills is talking about theft; of family pets, of the apples from her garden, of property, and even of good name through myths and false accusations.

    I didn’t have to think for long to come up with three fairy tales that deal with the issue of theft. Why three? Because three is the fairy tale number. I’m sure most of you will be familiar with these two traditional fairy tales: Goldilocks and the Three Bears, and Jack and the Beanstalk. Some will not be familiar with Joan Aiken’s more modern (1968) fairy tale A Necklace of Raindrops.

    girl and bear

    If you were to search online for teaching resources to support use of Goldilocks and the Three Bears in an early childhood classroom, you would have much from which to choose. Many of the available resources are worksheets and printables with few requiring children to think beyond the surface level of the story.

    youk_k, Beanstalk https://openclipart.org/detail/20020/beanstalk
    youk_k, Beanstalk https://openclipart.org/detail/20020/beanstalk

    The same is true for Jack and the Beanstalk. A search for supporting teaching resources also brings up a plethora of worksheets and printables for colouring, cut and paste and writing activities.

    While it’s no secret that I am not a fan of worksheets, activities such as those may have a place if they are used to stimulate language development through retell and role play, support beginning readers and writers in a meaningful context and develop basic mathematical concepts. Children might also be involved in activities associated with the story such as making porridge or growing beans.

    www.openclipart.com
    http://www.openclipart.com

    However children can be encouraged to think more deeply through discussion of the motives and feelings of the characters and the morality of their actions. After all, both Goldilocks and Jack were guilty of break and enter and theft; Jack repeatedly so. Jack didn’t follow his mother’s instructions and was “conned” by the man with the beans. Goldilocks was also guilty of vandalism.

    A strategy for encouraging thinking:

    Ask children to:

    • retell story events
    • tell about the character and character traits
    • make a judgement about  the character’s actions: Was what Goldilocks did good or bad? Was what Jack did good or bad? (Note: It is best for children to make and record this judgement independently of others before sharing their thoughts. The method of recording would be dependent upon the age and ability of the children. They could, for example, write the word “good” or “bad” in a book; or colour a picture of the character e.g. green for good, red for bad.)

    Tally and/or graph children’s responses.

    Invite individuals to explain the thinking behind the decision. A lively discussion may ensue, particularly if there are mixed responses. It would be of interest to note which children maintain their position, which waiver and which change their opinion.

    Other questions can also be asked, and children can be encouraged to ask questions of their own, for example:

    Questions re Goldi and Jack

    Hopefully the events of these stories will be just as fanciful to the children as the settings. Most children will not have records of breaking and entering, and any incidences of petty pilfering or even vandalism will have occurred as part of their learning about property and ownership. Some appropriation of another’s toys or breakages in frustration or misuse are common and nothing to cause concern about future morality.

    a necklace of raindrops

    While the setting of A Necklace of Raindrops is equally fanciful with the personification of the North Wind, talking animals and a magic necklace, the situation, involving schoolyard jealousy and theft, may be more familiar. You will find few teaching resources to support it in an online search.

    book 3

    Here is a brief synopsis:

    A man frees the North Wind from a tree.

    The North Wind gives the man a necklace of raindrops with magical powers for his baby girl, Laura.

    Each year a new raindrop with new powers is added.

    Laura must not remove the necklace.

    At school Meg is jealous of Laura’s necklace. She tells the teacher who insists Laura remove the necklace.

    Meg steals the necklace.

    The animals help Laura get the necklace back.

    The North Wind punishes Meg.

    (Note: My few words have not done justice to Joan Aiken’s beautiful story. If you can, please read the full version.)

    The story is rich with opportunities for discussion with children, including:

    Envy and jealousy — feelings familiar to many children who may have taken, borrowed or used something that didn’t belong to them. They may have squabbled about ownership or use of an item or had someone take something of theirs. Learning a sense of ownership as well as sharing is important in early childhood.

    Telling the teacher — sometimes called “dobbing” in Australia. When is it important, when doesn’t it matter? What were Meg’s motivations?

    Honesty — Was it okay for Meg to tell her father that she had found the necklace on the road? Why did she tell him that? What would he have done if she told him the truth?

    Finders keepers” — Is it ever okay to keep something you find? When might it be okay to do so?

    Following the rules – The teacher insisted that Laura remove the necklace. What could Laura have done or said? What else could the teacher have done? Was it fair for Meg to tell the teacher?

    Stealing the necklace — Was Meg good or bad to take the necklace? Why?

    Why did the magic not work for Meg?

    Was the North Wind’s punishment of Meg appropriate? (He blew the roof off her house so she got wet.)

    Thinking of these issues familiar to many in the schoolyard and playground made me think of Marnie who has experienced some similar situations. In this episode a boy dobs on Marnie for having a unicorn at school. Toys weren’t allowed, but this boy knew it meant Marnie was troubled again and needed the teacher’s help. A teacher is also called upon in this episode when Marnie has locked herself in the toilet and won’t come out. In both those instances the children were dobbing for good reason.

    In this episode Marnie is purposefully tripped and falls into a puddle losing hold of her “security” unicorn, and in this longer episode we find that, later that day, the same boy took her paint brush, and stashed it out of reach on a high shelf. He hadn’t taken it because he wanted it, as Meg had taken the necklace. He had taken it simply to torment, be mean and bully.

    Children, like Brucie, who tease, torment and bully are often themselves victims of similar behaviour. They feel powerless, lacking control in their own lives, and probably lowest in the pecking order at home. Targeting someone more vulnerable provides an opportunity to find a sense of power; for a while at least.

    So that’s where I’m headed for my response to Charli’s challenge to In 99 words (no more, no less) write a story about a thief or a theft. 

    Motives

    The morning started badly; nothing unusual in that. He’d been woken in the night by shouting, slamming doors, and screeching car tyres. Nothing unusual there either.

    There was no milk to moisten his cereal, only a slap to the head for daring to ask. He grabbed his bag and disappeared before she used him as an ashtray, again.

    Looking for a fight, he couldn’t believe she was just sitting there clutching her stupid unicorn. He snatched it; danced a jig to her wails, then threw it onto the roof.

    “I’m telling,” said a witness.

    “Who cares?” was his response.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

  • Home or away

    Many people look forward to a holiday away from home; an opportunity to escape the routines of the everyday and enjoy new experiences.  Many people look forward just as much to the return home, to familiar comforts and routines.

    During the past twelve months I have enjoyed a few escapes away.

    I travelled overseas and far away for my first visit to London.

    Whitehall, London © Norah Colvin
    Whitehall, London
    © Norah Colvin

    My visit to the UK included a few days at Saxmundham to the north

    Cottage at Saxmundham © Norah Colvin
    Cottage at Saxmundham
    © Norah Colvin

    and a visit to Dinosaur Adventure at Norwich for Grandson’s fifth birthday.

    Dinosaur Adventure, Norwich © NorahColvin
    Dinosaur Adventure, Norwich
    © NorahColvin

    I travelled to Cairns and Port Douglas in northern Queensland,

    Port Douglas © Norah Colvin
    Port Douglas
    © Norah Colvin

    and from north to south through Tasmania from Hobart to Launceston.

    Hobart © Norah Colvin
    Hobart
    © Norah Colvin

    I visited Alice Springs and Uluru in Central Australia.

    Uluru © Norah Colvin
    Uluru
    © Norah Colvin

    I also visited some seaside locations closer to home, including Hervey Bay and Marcoola to the north and Coolangatta to the south.

    Hervey Bay © Norah Colvin
    Hervey Bay
    © Norah Colvin

    Just last week I enjoyed a few days at a farmstay celebrating Grandson’s sixth birthday.

    Farm © Norah Colvin
    Farm
    © Norah Colvin

    Looking at that list, one might think I am never at home; but it doesn’t seem that way to me.

    Visiting places away from home can be educational as well as enjoyable and fun; meeting new people, learning about different cultures and ways of life, experiencing new foods, activities and routines, and seeing different geographical features. This is true for adults and children alike. The learning is integral to the experience, not an add-on or a lesson.

    However the experiences can be recorded by, with or for children to enhance learning opportunities; for example, but not restricted to:

    • Photo stories with accompanying text provide wonderful opportunities for reading and discussion and for keeping the memories alive over the years.
    • Diary or journal records that include dates, places and events provide opportunities for writing and reading. These entries can be supported with photographs, drawings, or “souvenirs” such as stickers, postcards, entry tickets and brochures.
    • Letters and postcards sent to family and friends provide further opportunities for sharing, writing and reading.
    • Emails can also be used to share highlights with family and friends and provide opportunities for using and learning about technology. I have found that including myself as a recipient for each email provides an effective alternative, or addition, to diary writing.
    • Marking routes and places visited on maps helps develop a sense of location and direction. Combining these with photographs or photo stories or diaries makes them even more meaningful.
    • Using a calendar to count down the weeks or days until departure, mark the days at each location, and the date of returning home helps to develop an understanding of the passage of time as well as the ability to read and use a calendar.
    • Discussion of departure and arrival times, the time until and the duration of journeys or events,  and relating these to time shown in both digital and analogue format helps develop an understanding of the use of time measurement and the passage of time. Use of printed and online timetables, as well as those displayed in airports, train stations and at bus stops provides opportunities for in-context and purposeful learning.
    Example of a simple photo story for preschoolers
    Example of a simple photo story for preschoolers © Norah Colvin

    Books, including atlases and photo books, can be used to ignite interest in places to be visited during a planned holiday or generally to arouse interest in other places. Stories can also be used.

    Felix

    One such story is Letters from Felix by Annette Langen and Constanza Droop. It tells of Felix, a toy bunny who was lost at the airport, as he travels the world on his way home to Sophie. In my version Sophie lives in Hobart, Tasmania and she receives letters from Felix in London, Paris, Rome, Cairo, Kenya and New York. (If anyone owns a different version, I’d love to know the countries included.) In each letter, the information shared by Felix inspires Sophie to find out more about the location. When Felix finally arrives home he has a surprise gift for Sophie: a sticker from every location visited.

    Letters from Felix is a great story to read at any time, but takes on extra meaning when one, or someone known, is travelling or returning from travels. It can be used to support or encourage an interest in geography in the classroom or at home. If children are not visiting locations as exotic as those visited by Felix, they may still be encouraged to record and share their experiences in the ways described above.

    Of course, when children arrive home, they may be just as excited to rediscover their familiar comforts, toys and books and reconnect with friends and family left behind. As the song says, “There’s no place like home.”

    What inspired me to think about holidays and home this week is the flash fiction challenge set by Charli Mills at the Carrot Ranch to In 99 words (no more, no less) write a story about a return to home. I have written about Marnie’s return to the place she had grown up but had never felt was “home”. It also provides a segue to the next post in my series celebrating Australian picture books which includes “Home” by Narelle Oliver. I hope you will join me for that post. In the meantime, here is my flash:

    The return

    Her eyes looked outward but her gaze was inward, trying to unravel the confusion of tumultuous emotions: anger for what had been, sadness for what wasn’t, regret she hadn’t escaped sooner, fear of her reaction, coldness at their passing. The bus carried her back; some things familiar, some as different now as she, returning “home” after so many years. Home? She’d called it home, back then, but now realised it hadn’t been home, not really; not safe and warm and loving as any home should be. She’d left vowing to never return. She returned now for finality and closure.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

  • A celebration of Australian picture books #3 — Kim Michelle Toft

    Australia is a land of geographic diversity: of grassy plains, stony deserts, forested mountains, snow-capped peaks, golden beaches and sparking blue water.

    It is home to world’s largest coral reef system, the Great Barrier Reef, one of the seven wonders of the world and a popular tourist destination.

    Conservation of the Great Barrier Reef, along with other marine environments is important to the health of our planet.

    Kim Michelle Toft is an Australian silk artist who makes beautiful picture books with an environmental message aimed at increasing an appreciation of our oceans and their precious creatures and raising awareness of the importance of protecting them.

    Kim Michelle Toft's books

    I own these five of Kim’s books; each of which has an engaging story supported by child-friendly information about the marine environment and its importance, and is beautifully illustrated with magnificent silk paintings, which are delightful in themselves:

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    One Less Fish counts back from twelve to zero and contains the message “Without constant care we will lose some of the world’s most beautiful natural resources. Remember: fish that die one by one may soon become none by none.”

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    Reef Superstar introduces many creatures of the reef and provides supporting information about the reef and each creature featured. (Does not appear to be available at the moment.)

    2015-09-19 11.06.39

    The World That We Want contains forty-five creatures to be found in illustrations of nine different habitats and explains the inter-connectedness of ecosystems and their importance. The beautiful last pages open out to four pages in width showing the world that we want, from the forest to the ocean.

    2015-09-19 11.07.32

    A Sea of Words and accompanying Wall Frieze provide an alphabet of beautiful sea creatures with accompanying information.

    12 underwater days of Christmas

    The Twelve Underwater Days of Christmas is an innovation on the original carol using beautiful illustrations of marine creatures. As well as information about all the animals it includes a stunning six-page foldout poster, and information about the original carol.

    In this video Kim invites you into her gallery and studio and explains her silk painting technique.

    Kim is also available for visits to schools. When she visited “my” school she read from her books, engaged students in related activities and demonstrated silk painting by creating an original which the school was able to purchase. Her vast knowledge, experience, and passion for her work and the marine environment make these visits worthwhile.

    Kim’s books can be enjoyed by adults and children for the beauty of their illustrations alone. However the combination of visual appeal, richness of information and encouraging (strong, but gentle) environmental message provides even more reason to have them on your bookshelf or, better still, coffee table. They make perfect gifts for people of any age. I am happy to recommend Kim’s books to you.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts.

  • Well I declare

    This week at the Carrot Ranch Charli Mills is making declarations. Specifically she is declaring herself an author, making it clear what her writerly intentions are. I also have declared my writerly intentions. In previous posts, here, here and here, I shared my goal of establishing a website with early childhood teaching resources of my creation.

    In her post Charli expresses it this way: success for her is publishing books. She wants to write books for readers who want to read them. Not only that, she wants to market her books “well enough to eat more than hand-picked dandelions from (her) yard”.

    www.morguefile.com
    http://www.morguefile.com

    Change books to early childhood teaching resources and, for me it’s the same. I want to publish teaching resources that teachers want to use, that enhance their teaching and improve children’s learning. I’d also like to do well enough to not be reduced to eating dandelions from my backyard.

    Some writers consider “educational writing” less worthy and lacking in creativity. “Oh educational writing,” said one disparagingly, “that’s so prescriptive,” and quickly moved on to discuss others’ more literary pursuits.  

    I know some educational writing can be prescriptive. I have done some of that formulaic writing myself. However the resources I am creating do not conform to a formula, are not worksheets to be completed by students sitting quietly in rows.

    I am developing a variety of resource types, some with interactivity, to help develop understanding and skills in a meaningful context. Many encourage critical thinking, problem solving and purposeful applications. Many are built around my own original stories and poems as well as non-fiction texts.

    I have chosen this path in order to support teachers with ready to use teaching episodes and parents with suggestions for nurturing their child’s development. Prescriptive? Far from it. And please don’t prejudge my educational writing against the stereotype of formulaic worksheets and textbooks which are far too abundant and easily accessible on the internet and in bookstores.

    Guiding parents in play sessions for parents and children.
    Guiding parents in play sessions for parents and children.

    From the declaration of writing goals to a declaration of another kind, repeated often on my blog: my appreciation of all things early childhood, especially literacy and picture books, and the importance of reading to and with children on a daily basis.

    The years from birth to eight, especially those before formal schooling begins, are crucial to a child’s development and have an enormous impact on future happiness and success.  It is during these years that basic skills and language are developed along with attitudes to self and relationships.

    noisy nora

    The picture book Noisy Nora by Rosemary Wells is a delightful book about a middle child who fails to get the attention of her parents who are busy with the older and younger siblings. Finally Nora declares that she is leaving and never coming back. With Nora gone the house becomes unusually quiet and the family go looking for her. At last she declares herself back again as she clatters out of the broom closet.

    (This information from Wikipedia explains why my cover differs from the one in the Amazon store.)

    I took Nora’s declaration as the basis for my response to Charli’s flash challenge to In 99 words (no more, no less) declare an intention in a story. Is it one person, a character speaking up or speaking out? Is it a group or a nation? Create a tension before or after the declaration. It can be private or public, big or small. Does it have power to those who state it or hear? What does it change?

    While I wrote it with Marnie in mind, it could be about any number of others in oppressive situations and seems particularly appropriate to those trapped by the horrors of domestic violence which is at the forefront of our news at the moment. Unlike Nora, who declared she was leaving and never coming back but didn’t really leave, Marnie definitely won’t be coming back.

    from "Noisy Nora" by Rosemary Wells
    from “Noisy Nora” by Rosemary Wells

    Leaving

    It was time. No more would they treat her this way. No more would she accept the cruelty of their world. She was more than this, more than they made her believe. With cash from a secret job stashed in her pockets, a few clothes in a backpack, and hope in her heart, she left. No need to follow a bag through the window. No need to wait for night’s darkness. No. She navigated past their stupor of beer, smoke and flickering screens; paused at the door to declare, “I’m leaving,” then closed off that life as she left.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

     

     

     

  • A celebration of Australian picture books #2 – Mem Fox

    I own and have given away more picture books by Mem Fox than by any other author. To say I appreciate Mem’s work would be an understatement. I currently have on my shelves twelve of her more than thirty picture book titles and two of her eight nonfiction titles.

    2015-09-19 10.55.23

    Her first picture book Possum Magic was published in 1983. I love the story behind this book, as much as the story itself. Mem wrote the first draft in 1978 and over the next five years it was rejected by nine publishers. When it was finally picked up by Omnibus Books she was asked to reduce it in length by two-thirds and to change the characters from mice to possums. The book is now one of Australia’s most popular with more than 3 million copies sold around the world.

    You can listen to Mem read Possum Magic or some of her other books here.

    File 23-09-2015 11 32 24 am

    In the ten years after the publication of Possum Magic Mem published almost twenty other books. I read her autobiography Mem’s the Word (released in the US as Dear Mem Fox) not long after it was published. At the time I was in my late thirties and was thrilled to find that Mem had also been in her late thirties when her first book was published. I thought there was still hope for me. I’d certainly had enough rejections by that time to fill a rather large shoebox, so maybe I just needed a few more!

    Since then Mem’s output has hardly lessened and she has another new book coming out next month. In the meantime, I’m still hoping there’s time for me!

    Mem is an author, not an illustrator. The twelve picture books I own were illustrated by eight different artists. Four illustrators did two of these books each. A quick glance at the list of Mem’s books confirms the number of artists who have been engaged to illustrate her work and the variety of artistic styles used. How wonderful for the artists to have that experience, and for teachers and parents the opportunity for discussing artistic styles with children.

    My reason for raising this issue of author and illustrator is that I also am not an illustrator. A number of years ago when discussing picture book authors, an acquaintance scoffed at  my praise for Mem’s work: how could she possibly consider herself a picture book author if she didn’t do the illustrations? This acquaintance, in the process of having her first picture book published, was author and illustrator. In the intervening years Mem has gone on to publish a number of books, and this acquaintance none. Okay, neither have I. Yet!

    Reading magic

    Another thing that Mem and I have in common is our passion for literacy and our advocacy of reading to children every day. Mem’s book Reading Magic should be placed in the hands of every new parent along with a collection of picture books. I practice what I preach by giving a bundle of these as gifts to friends with newborns. I have written about that here. As well as Reading Magic, the bundle generally includes Where is the Green Sheep? and Ten Little Fingers and Ten Little Toes, among others. Nurturing a love of books and reading is one of the greatest gifts a parent can give a child.

    The love of reading is gift

    Below is a list of the Mem Fox books on my shelves at the moment (a few have mysteriously disappeared!) but the best way to check out Mem’s books is on her website here. While you are exploring her website, there is much else of value to discover, including suggestions for writers, teachers, parents, and children as well as other interesting information. Exploring Mem’s site is the best way of finding out about her wonderful books.

    Here are the ones I own, in addition to the three mentioned above (in no particular order), with links to further information about each title on Mem’s site and to information about the illustrator where possible:

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    Night Noises illustrated by Terry Denton

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    Just like that (Now published as Harriet, You’ll Drive Me Wild!) illustrated by Kilmeny Niland

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    Shoes from Grandpa illustrated by Patricia Mullins

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    Hattie and the Fox illustrated by Patricia Mullins

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    Guess What? illustrated by Vivienne Goodman

    Whoever you are.

    Whoever You Are illustrated by Leslie Staub

    Wombat Divine

    Wombat Divine illustrated by Kerry Argent

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    Wilfred Gordon McDonald Partridge illustrated by Julie Vivas

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    Koala Lou illustrated by Pamela Lofts

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    Sail Away illustrated by Pamela Lofts

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    A Particular Cow illustrated by Terry Denton

     

    Thank you

    Thank you for reading. I hope you have found something of interest. I appreciate your feedback. Please share your thoughts.

     

     

     

  • Better than a trail of breadcrumbs

    ©Glenn Althor www.http://obscurepieces.com/ Used with permission.
    ©Glenn Althor  Used with permission.

    When I think of children’s stories about being lost, Hansel and Gretel is one of the first that comes to mind. Whether or not this gruesome story is suitable for children, I’ll leave for another discussion. The children were correct in thinking it was important to mark their way into the forest in order to find their way out. They were incorrect in their choice of markers.

    Encouraging children to identify features of their environment has benefits beyond encouraging them to question and wonder. It is important for children to learn, from a young age, to identify markers on routes around the neighbourhood, shopping mall and school, as well as strategies to implement if lost or separated. Taking note of seasonal and other changes, both temporary and permanent, in addition to permanent features helps to build knowledge of one’s environment. This knowledge can be developing long before the need to find one’s way alone arises.

    http://www.morguefile.com/
    http://www.morguefile.com/

    One day there will be a need to navigate independently, whether it be to walk to school, go to the shop, visit a friend, catch a bus or drive a car. All of these will be far less daunting for the child, and much less worrisome for the parents, if the ability to find one’s way around has already been demonstrated through discussions or deciding which route will be taken for a journey.

    Often the first time children are required to navigate independently is when commencing school. They may need to find their way to the classroom in the morning, or to the gate in the afternoon. They will have to find the way to the playground, the office, the library, and the toilets and back to the classroom. Just as parents show children around the neighbourhood by pointing out landmarks, it is important for teachers to orient children in the school grounds and ensure they know how to find their way around confidently.

    A delightful book that can be used by both teachers and parents to discuss the importance of knowing one’s way around and of staying safe is the beautiful Pat Hutchins’ book Rosie’s Walk which tells the story of a hen who goes for a walk around the farmyard and gets back home safely in time for dinner. The story also introduces many positional words.

    Rosie's walk

    Understanding of positional terms and describing the location of neighbourhood and school landmarks in relation to each other  helps to develop spatial awareness along with language; for example:

    • past the shop
    • across the bridge
    • over the road
    • through the park
    • in the middle
    • beside the lake
    • along the road
    • next to the bakery
    • around the corner
    • behind the fence
    • as well as left and right.

    Discussing the placement of landmarks on a mud map of the neighbourhood or school and discussing different paths that could be taken encourages divergent thinking about ways of getting from one place to another. Sometimes it helps children to think of these maps as being from a birds’eye view, or from a plane. Other maps, for example Google Maps and street directories are also useful and children can learn to point out or mark places they have visited.

    mud map

    There are many opportunities, whether in the car or on foot, to take note of landmarks; for example:

    • house numbers,
    • types of fences
    • the number of streets to cross
    • large trees
    • the shopping centre entry
    • carpark space row and number
    • bridges crossed

    While the flash fiction challenge set by Charli Mills at the Carrot Ranch this week was to In 99 words (no more, no less) write a story about someone or something that’s lost, I have taken the theme of lost and used it to provide strategies that may help children avoid becoming lost. My flash is a rhyme for young children, and an example of the types of things that children can be encouraged to observe in their neighbourhood.

    To Grandma’s House

    Bub’s buckled in, away we go.

    Mum’s going to work, we can’t be slow.

    Down the street past the green painted door.

    Past the house with big number four.

    Stop at the curb and look each way.

    Off to Grandma’s, hip-hip-hooray!

    Quiet past here so the dogs don’t bark.

    Left at the corner and cut through the park.

    Up the hill, past the posting box.

    Open the gate, give three big knocks.

    Hugs for Grandma waiting for us.

    Wave to Mum as she boards the bus.

    Go inside for milk and toast.

    Days with Grandma we like the most.

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts about any aspect of this post or flash fiction.

     

     

     

  • Between the lines

    Morguefile http://mrg.bz/omEd2M
    Morguefile http://mrg.bz/omEd2M

    For a few months I had been aware of the new colouring books for adults craze that is sweeping the world but had chosen to ignore it. That is, until I read a blog post by Alana Munro stating that “According to Psychologists, Colouring is the Best Alternative to Meditation” and I thought I’d add my two cents worth.

    I had already been urged by some writing, publishing and marketing entrepreneurs to quickly create a colouring book and cash in on this new lucrative market. Apparently it’s easy to create a book using royalty free creative images found online and publish the books on Amazon where they have their own genre.  People are buying them by the dozens. The books are also displayed prominently in bookstores, and promoted on social media.  What is there to lose?

    As a teacher and parent I have never been in favour of colouring books for children. I know some argue that colouring does have a (small) place. Children may develop fine motor skills when colouring between the lines, and colouring is sometimes integrated with other things such as graphing, mapping, and colour-by-number activities.

    © Norah Colvin
    © Norah Colvin

    But I have rarely given a colouring book as a gift. I would rather give a blank art book and a variety of pencils and pens for children to create images from their own imaginings. Their fine motor skills and their creativity will develop perfectly well that way and it may help to avoid the feelings of inadequacy that can develop from spending too much time colouring the works of others.

    That’s not to say that learning some of the artist’s techniques is a bad thing. Twenty-five years ago I did a short “Drawing on the Right Side of Your Brain” course, based on the work of Betty Edwards. I didn’t consider myself an artist, and still don’t, preferring to write than to draw. But being interested in learning and anything to do with the brain, I decided to see what I could do. I was amazed at the results. Unfortunately, I don’t have many pre-course drawings to share with you, just this one of a gardener, but please take my word for it that I showed little promise.

    © Norah Colvin
    © Norah Colvin

    In the course I learned the importance of drawing what the eye sees, not what the mind thinks it sees; for example we might think of the roundness of the rim of a cup, but what we actually see is an ellipse. The importance of seeing accurately is true whether drawing an actual or imagined object or scene.

    In the first lesson we were given this picture to copy.

    original

    I admit that I didn’t have high expectations as I began. We were told to turn the picture upside down and to start copying from one corner. In doing this we focussed only on each of the lines, drawing just what we could see. We were not to turn the picture the right way up until we had finished. There was to be no interference from what we thought we were drawing to what we were actually drawing. Everyone in the class was amazed with their results.

    This is mine:

    © Norah Colvin
    © Norah Colvin

    And thank you to Bec, who was three at the time, for deciding it needed some colour!

    For a short while I engaged in a flurry of drawing activities, but soon abandoned them to other more pressing or preferred activities. I had proved to myself it was possible. That was sufficient. Now someone just needs to come with a singing on the right side of the brain course for me!

    These are some of the drawings I did at that time, each from observation of a real, not imagined object:

    © Norah Colvin
    © Norah Colvin
    © Norah Colvin
    © Norah Colvin
    © Norah Colvin
    © Norah Colvin
    © Norah Colvin
    © Norah Colvin

    In my pre-service teaching days I was cautioned to not use simple drawings on the board, for example a stick person or a smiley face sun, for the children to copy as it may limit their drawing ability. It was always a concern of mine. I didn’t want to limit anyone’s ability!

    After doing the drawing course I bought a copy of Drawing on the Right Side of the Brain for Children and used its recommendations in art lessons. In his article about How to Teach Drawing to Children Marvin Bartel warns against showing children how to draw and emphasises the need for close observation, and practice, practice, practice. I agree with his advice to not add one’s own changes or lines to a child’s drawing.

    In recent years I came across some fabulous picture books by Mo Willems.

    © Norah Colvin
    © Norah Colvin

    At first I didn’t find the books appealing with their simple black outlined drawings and minimal use of colour. It was only after a colleague’s repeated exhortations that I gave in and reluctantly read one. Halfway into the book The Pigeon Finds a Hot Dog!” I was a fan! With what appears to be a few simple lines, Mo creates a great variety of expressions and moods, telling stories that children can identify with and that have them (and their teachers) holding their sides with laughter.

    In the app Don’t Let the Pigeon Run This App Mo encourages children to add their voices, making the story their own. He also includes videos of how to draw the characters. The app is as much fun as the books. There are many videos by others on youtube sharing how to draw Mo’s characters, but none is better than Mo himself.

    Here is a PDF of his instructions for drawing the pigeon:

    Mo Williams pigeon_draw01

    and a video of Mo talking about how he creates his characters. Sorry, Mo, I underestimated you at first.

    So while I accept that colouring books may have benefits for mental health for adults who choose that activity and understand that colouring can induce a meditative state and be very relaxing, I think a blank piece of paper and a variety of pencils and pens would have the same effect and, who knows, you might unleash the artist within. I certainly don’t consider their use in the best interests of children’s development and creativity.

    What do you think of colouring books for children and adults? Is colouring a recreational pursuit for you? Have you bought your first colouring book for grown-ups yet?

    Thank you

    Thank you for reading. I appreciate your feedback. Please share your thoughts.